The Vision-thing.
Meyerhoff Symphony Hall, Baltimore Symphony Orchestra
Marin Alsop, Director
Marin Alsop, Director
I am a fan of this immersion method. The experience is exciting and an adventure. Ross candidly reports his genuine surprise at what he found. Which is satisfying. "Listening to America’s regional orchestras, you realize that the notion of a stratospheric orchestral élite is deceptive." I'll say! But my favorite line was one that really captures the dynamics of any ensemble effort.
Great performances can happen anytime skilled players respond with unusual fervor to a conductor whose vision is secure.
It is not just the generation and communication of a vision that is important. I was caught by the phrase about the conductor's vision at the end of the sentence: whose vision is secure. I have not heard those two words put together before, secure vision. I hadn't thought about it.
Ross did not say that skilled players respond to a conductor with vision. There's more to it; there is the vision that is anchored with a sense of security. One of the things this sense of security provides is freedom for the ensemble. They needn't wobble with the vagaries of the vision that is not held with confidence. In the case of the conductor whose vision is secure, anxiety must be reduced considerably. It is like having a mature and wise parent, rather than a young and uncertain parent who may behave with confidence, but whose sense of confidence is ungrounded, and all the children know it. In this case, it is difficult to act with freedom and ease in the presence of insecurity. The performance suffers.
This same idea may be applied to organizations of all natures and size. Without a leader whose vision is secure, the performance suffers.
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